The Dance of The Body without Organs Essay -- Electronics Essays

The Dance of The Body without Organs My present venture utilizes the idea of the Body w/o Organs as a model of masterful procedure to sabotage social, logical, and political progressive systems utilized in sorting out our conditions of awareness and exemplification. By showing up at an area of quietness, or â€Å"zero intensity† through this procedure of separating standardizing structures; new structures, designs, and associations will develop that reflect neighborhood, passionate, or silly textures. The venture exists in a few launches, including vivid virtual situations, arranged workmanship, 3-D displaying, and messages. Body w/o Organs, Deleuze and Guattari, Artaud, Virtual Reality, Virtual Environment, Irrationality, Surrealism, Visible Human Project 1.0 Situating Subjectivity â€Å"My mind turned into a position of shelter, a haven, a room I could enter with no dread of attack. My brain turned into a site of resistance.† (snares, 1991) Situated as a favored subject comparative with race and sex; I am at a transitional spot in regards to control relations. My childhood as a white male of a working class family in a line of Scottish ranchers moving to the rustic Midwestern US establishes me in the blood-doused soil of the Klu Klux Klan. I was brought up 20 years after and 30 miles from Marion, Indiana, site of incalculable primitive lynchings of African Americans. My feelings sold out the authoritative groupings of my own body and shade of tissue. I agreed with the people in question, not with my family. My longing to be finished with the coding of the legislative issues of personality in my tissue expanded my feeling of spirituality. My own selling out of skin and family joined by the certain benefit managed me by the encapsulated coding of race has made a ... ...cal and hypothetical issues identified with the innovations of vivid computer generated simulation, netart, and symbols; explicitly concerning issues of character, exemplification, and human consciousness. He has introduced and shown his work in various global scenes, including Ars Electronica, Invencao, Consciousness Reframed, Webs of Discourse, CADE, just as exhibition halls, displays, and elective spaces. His article, â€Å"A Manifesto for Avatars† was distributed in Intertexts in 1998. At present he is a meeting specialist at the Virtual Reality Center at the University of Teesside, and at the CAVE Lab, New Media Center, The University of Michigan. He is a Visiting Assistant Professor of Computer Art/New Media at Bowling Green State University, and an Assistant Professor of Art at Kent State University. http://www.stark.kent.edu/~glittle http://www.oberlin.net/~glittle